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Best Pic "Chicago" Celebrated Jewish Duplicity

December 5, 2016

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"Don't shoot, I am alone," a husband pleads with his wife after she catches him in bed with two naked women.

Jewish Cabalism is based on the premise that reality is determined according to their self interest. There is no objective truth. They are God. Increasingly, our world reflects this Cabalist Jewish solipsism. Today, truth is being classified as "Russian propaganda" and "fake news." The Masonic Jewish media was discredited during the election campaign. But instead of reforming, they're doubling down. 

Cabalism is Satanism and Satanism inverts truth and falsehood, (as well as good and evil.) The 2002 Best Picture Chicago was a Jewish inside joke where they celebrated their own chutzpah and chicanery. 


from June 7, 2005

By Henry Makow Ph.D.


"Don't shoot, I am alone," a husband pleads with his wife after she catches him in bed with two naked women.

"But I can see two women," she objects.

"Don't believe what you see," he instructs her. "Believe what I tell you."

The wife shoots her husband in this scene from the 2002 movie musical "Chicago". But the show is dedicated to the cynical premise that the public is not so astute.

"Chicago" is by the author of "Cabaret", Fred Ebb. Where the mantra of "Cabaret" is "money makes the world go round," the sequel proclaims power turns on deception, connections and control of the media.

It is significant that when many Americans suspect Zionists of finagling their country into a gratuitous war in Iraq, a movie that celebrates Jewish duplicity received 13 Oscar nominations, more than any other movie, and won "Best Picture."

"Chicago" epitomizes the bogus Cabalist religion of secular humanism (Satanism.)The idea that morality and truth are man-made and relative, rather than Divine and absolute, is the cause of our cultural and moral malaise.

It raises questions about the relationship of organized Jewry to the elite, and Jews to their own religion. According to Irving Kristol, Jews in America "proudly identify themselves as Jews but their religion, for the most part, is only Jewish in its externals. At the core it is secular humanist." (The Future of American Jewry)

THE STORY

"Chicago" is set on Death Row in Chicago's Women's Jail, where killers of cheating men brazenly proclaim, "He had it coming."

"Roxie Hart," wife of Amos, murdered her lover because he promised to advance her singing career but dumped her instead.

Billy-Flynn-chicago-the-movie-2943050-852-480.jpg

"Irish" lawyer Billy Flynn is the only person who can save Roxie's neck. He has never lost a case. Luckily, Flynn is money-minded and accepts a reduced fee from Roxie's devoted cuckold husband. Richard Gere, aged for this role and actually made to look Jewish, plays Flynn. By calling him"Irish" the play's creators pass off Jewish experience as American experience.

Flynn's practice is to invent a crowd-pleasing story about his client, and create media hysteria. There is an eerie scene where Flynn is a giant puppeteer controlling dozens of puppet-reporters. Another evocative scene shows him as a ventriloquist voicing Roxie Hart's words. (Imagine Obama on his lap.) Finally, there are the winks and (Masonic?) hand signals he gives the judge suggesting corruption.

Flynn tells Roxie: "You got nothing to worry about. It's all a circus, kid. A three-ring circus. This trial, the whole world all show business. But kid you're working with a star, the biggest!

Give 'em the old razzle dazzle...
What if your hinges are all a rusting?
What if, in fact, you're just disgusting?
Razzle dazzle 'em.
And they'll never catch wise!
How can they hear the truth above the roar?
Throw 'em a fake and a finagle
They'll never know you're just a bagel...
They let ya get away with murder..."

To drive home the point, another inmate, a devout Hungarian Catholic woman does not have the money or the "smarts" to hire Billy Flynn. We see her praying to Jesus Christ but Jesus does not help her. She goes to the gallows. We see her swing. We see them take her coffin away. The Christian is a loser.

Her death is only seen in terms of what could happen to Roxie. The Jury is out. The newspapers have printed two batches with headlines GUILTY and INNOCENT. The audience knows Roxie is guilty. She killed a man with a wife and five small children just because he had her without paying the price.

If Hollywood were doing what it should, Roxie would be found guilty. The world would be portrayed as a place where Billy Flynn's chicanery does not prevail, where eternal values are supreme, where you can't "get away with murder."

But Roxie is found innocent, of course. In Cabalism, this is the way the world works. Anything else would be preachy. But, isn't this preaching too? Doesn't the religion create the world we live in? This movie preaches that moral corruption is trendy, fun and sexy.


REALITY IS WHATEVER WE SAY IT IS


Roxie Hart and her partner, Velma Kelly, another of Flynn's satisfied clients, take to the stage. "Thank you for your belief in our innocence," they say in the Finale. "You know, a lot of people have lost faith in America. And for what America stands for. But we are the living examples of what a wonderful country this is."

Brazen, n'est ce pas? 

Roxie mentions that show people need the audience's applause because they didn't get enough love as children. Of course we know that Jews dominate U.S. show business. And indeed, this has been my experience as a Jew too. Growing up I felt I had to "succeed" to be loved.

Is this why so many Jews are over achievers? Is it built into the religion? Instead of a God of Love, who loves unconditionally, the Jewish God demands worldly achievement?

Is the world "a three-ring circus" because the Jewish God is Lucifer?

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Makow Comment- Trump is a Cabalist Jew i.e. Freemason. We could be in for a wild ride.  The people who believe in controlling and distorting the truth also have control of the mass media. Their next step will be to try to shut down free speech online. 





Comments for "Best Pic "Chicago" Celebrated Jewish Duplicity"

JJ said (December 6, 2016):

Even though I've never seen it, and don't plan to, everything is spot on, but I do take exception to this:
The God of the Old Testament is capricious, xenophobic and often barbaric. He demands human sacrifices and promises to slaughter Israel's enemies. He is sometimes mystical and good but often mysterious and unknowable.

That's what I used to think as a "baby Christian," early in my walk, but after growing in faith and the reading of God's word, especially the OT, the narrative becomes more clear. There are two forces at work, and God wants us to search and know Him above all; he grew tired of sacrifices early on. Satan created entire races of people that had to be destroyed. His own people turned against Him. His New Covenant seems a given, but it's a fulfillment of the old. Same God, always.

OK, but on the topic of the Hollywood narrative, another series from HBO summed it up so well that I had to stop watching it in the 3rd or 4th season, "Boardwalk Empire." The villain is a white male Christian fed who murders a Jew fed by drowning him while baptizing in the river while a black congregation watches. They later identify him as the culprit. The bootleggers and corrupt politicians are the good guys, except for one who is seen reading a copy of "The International Jew" Henry Ford magazine (played by Dabney Coleman).

I really liked some aspects of the show, but there's only so much I could take.


Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at