The Beatles -- Illuminati Mind Controllers

August 5, 2012

Picture 245.png

(The original cover of the 1966 "Yesterday and Today" album: Beatles got a good laugh from abortion.)




The Beatles were an Illuminati creation.
Their songs were written for them and
handlers scripted their actions and words.

They demonstrate that popular culture is really mind control.







By David Richards
(henrymakow.com)  


In his bookThe Committee of 300, former MI6 officer John Coleman reveals the Beatles were a psychological operation run by the Tavistock Institute for Human Relations.

The Beatles were created to advance the formation of a corrupted Brave New World-style slave populace. This agenda kicked in big time during the 60s, with rock groups acting as social agitators.

Free love, drugs and rock music were promoted. To replace Christianity, the Illuminati introduced the New Age Movement: spiritual doctrines that do not require the individual to follow the Moral Law. (See this interview with John Coleman.)

The Beatles were presented as anti-establishment but received endless mainstream media attention. In 1965, they received MBEs (Members of the Most Excellent Order of the British Empire) from the Queen.

Picture 244.pngOCCULT REFERENCES

The occult references in the Beatles work prove they were Illuminati puppets. 

A promotional photograph for the Yellow Submarine album shows John Lennon flashing the devil horns. Paul McCartney makes a '666'/EYE OF HORUS hand sign.

The front cover of the With The Beatles album shows their faces half in shadow. This is the 'One Eye of Horus' that is epidemic in the music industry today. The black/ white duality is the Masonic doctrine to balance good and evil.

A Beatles compilation was released in 1988 titled 'Past Masters'. Past Master is a Masonic term used to describe the former Worshipful Master of a Masonic Lodge. The album contains exactly 33 songs!

In the film, 'The Magical Mystery Tour,' the Beatles use a magic wand to cast spells on unsuspecting members of the public. Magic wands are made from holly trees (hence Holly-wood) and are the instrument of the occult magician who has his audience (the populace) in a trance. The film features several Masonic handshakes.

The songs also feature occult lyrics. The song 'Lucy in the Sky with Diamonds' refers to Lucifer in the sky with "diamonds" (aka "stars", the Dogstar Sirius representing Lucifer).

yoko-ono-lennon-warhol.jpg(left. rare photo of John, Yoko & Andy Warhol having a gay time)


The track 'Across The Universe' is about demon possession. John Lennon sings 'gai guru deva' (all hail to the devas). In Theosophy, a deva is a spiritual entity, i.e. demon, which exists behind the scenes manipulating and directing human behavior. Luciferians believe they are possessed by these entities when they rape, torture and kill innocent victims.

Four working class young men could not have written these songs! The Beatles were originally a hack rock 'n' roll cover band playing in the red light district in Hamburg. We are supposed to believe that only a few years later they composed songs with deep occult meanings!

THE SCRIPT

The Beatles behavior was scripted by handlers who knew the agenda behind the group.

The drug agenda was pushed in the infamous interview Paul McCartney gave with the BBC in 1966, when he 'admitted' to taking acid four times.

The interview was intended to cause controversy, which it did, and encourage young people to try LSD. If the BBC were really against drug use, they wouldn't have broadcast the interview to millions of people.

Once we realize that the Beatles were supposed to turn young people against Christianity, their anti-Christian sound bites look scripted.

In 1963 Paul said, "Christianity doesn't fit in with my life." In 1966 John was more forthcoming, telling Newsweek, "Christianity will go, it will vanish and shrink. I needn't argue about that. I'm right and will be proved right."

In the 60s, the big record labels had total control over artists. Do we believe the Beatles could have spouted anti-Christian sentiment in opposition to their label EMI?

Their photo shoots were also clearly designed by Illuminati handlers.

A shocking example is the alternate cover to the 'Yesterday/ Today' album that pictures the Beatles covered in the body parts of dead babies. This was a sick laugh at abortion, the inevitable result of the free love agenda the Beatles were promoting.

pepper.jpegThe front cover of the Sgt. Pepper album features the Beatles 'heroes.' They include a whole host of Illuminati stooges: Aldous Huxley, Karl Marx, Aleister Crowley, Mahatma Ghandi, HG Wells and George Bernard Shaw among others. Tellingly, it includes cutouts of the Beatles from their early days. Is this an admission that they also served the Illuminati?

 

 
CONCLUSION

I bought all the Beatles albums when I was a teenager. I loved the music but felt something was wrong. The songs were melodically perfect but lacked emotional resonance. Now I know why: the group was an Illuminati creation.

After learning this information about the band, I listened to the music again. Now that I can hear the malevolent agenda behind the songs; they're ruined for me.

The Beatles made the West more degraded, divided and weak.

Journalist David Noebel summarized it well in 1982, when he judged the impact John Lennon had on music.

"The present rock 'n' roll scene is one giant, multi-media portrait of degradation-a sleazy world of immorality, venereal disease, anarchy, nihilism, cocaine, heroin, marijuana, death, Satanism, perversion and orgies."
 
In the style of true Satanists, the Beatles sold this sickness as "Love,"
a reminder that the world is controlled by a satanic cult, the Illuminati, that hates God, and hates you and I.


-----------------

David Richards is a 24-year-old British citizen who teaches English in Mongolia.

MAKOW COMMENT: We are unconscious of how popular music is used  to control our feelings and actions. Most songs make a religion out of "love" and make us seek a non-existent ideal mate instead of God, obedience to whom is the principle of our self-development, i.e. religion.


Related:

Adorno & the Radio project

Bankers Behind the Counter Culture

Tavistock Institute - Best kept Secret in America

David Livingstone - Age of Aquarius - Sex Drugs & Rock & Roll

John Lennon's Born-Again Christian Phase


First Comment by Al Thompson:

One of the most destructive forces that was unleashed upon western civilization by the Beatles was the promotion the pagan Hindu religion.  This was primarily done by the introducing of Transendental Meditation and the practice of yoga into the mainstream public.  Of course, this is actually called for in the Protocols of Zion by the open worship of Vishnu.

"12. All our newspapers will be of all possible complexions - aristocratic, republican, revolutionary, even anarchical - for so long, of course, as the constitution exists .... Like the Indian idol "Vishnu" they will have a hundred hands, and every one of them will have a finger on any one of the public opinions as required. When a pulse quickens these hands will lead opinion in the direction of our aims, for an excited patient loses all power of judgment and easily yields to suggestion. Those fools who will think they are repeating the opinion of a newspaper of their own camp will be repeating our opinion or any opinion that seems desirable for us. In the vain belief that they are following the organ of their party they will, in fact, follow the flag which we hang out for them." (Protocols of Zion)

7. Our kingdom will be an apologia of the divinity Vishnu, in whom is found its personification - in our hundred hands will be, one in each, the springs of the machinery of social life. We shall see everything without the aid of official police which, in that scope of its rights which we elaborated for the use of the GOYIM, hinders governments from seeing. In our programs ONE-THIRD OF OUR SUBJECTS WILL KEEP THE REST UNDER OBSERVATION from a sense of duty, on the principle of volunteer service to the State. It will then be no disgrace to be a spy and informer, but a merit: unfounded denunciations, however, will be cruelly punished that there may be development of abuses of this right."  (Protocols of Zion)

So it is obvious to me that the so-called "Jews" have promoted the pagan beliefs of Hinduism.  One might ask: What does a Jew have to do with a Hindu?  I'm not really sure, but it seems to me that if one is a pagan, they will use anything evil to promote their agenda.  The definition of a Jew can mean almost anything just as the definition of a Christian.  Here, the so-called Protocols of Zion are intrinsically Hindu in nature and of course evil is at the core of the writing.

"Later the Beatles lead the way for many Americans into pagan religion with visits to Guru Maharishi Mahesh Yogi."  The Beatles did indeed lead the way to promoting the gurus and the Hindu religion was thrust upon western civilization through the music of the Beatles and other various groups.  And of course, every time I point this out I get slammed for it.  So much for religious tolerance.  Today, the practice of yoga is pervasive throughout society and everyone that I know who practices it becomes completely unglued and unreasonable if I criticize it.  The problem is that the practice unites a person with some kind of "divine being" which is not God the creator, but some kind of "consciousness" by which the mind is emptied.  There's even so-called "Christian" churches that have yoga classes. 

Music has an extraordinary way of twisting the mind.  I used to listen to George Harrison's Hare Krishna song over and over again.  I like the song but wondered about its meaning and intent.  I now realize that it was most certainly a plan to turn the young people over to paganism.  People who are critical of Zionists should be asking the question as to why Hinduism was promoted in the writing of the Protocols of Zion.  What do Jews have in common with Hindus?  Maybe the made up the story about Christ too.  Or, the Christ represented by mainstream "Christians" is really Vishnu.  There are all kinds of possibilities.  If it wasn't for some early Christian writings that I read over the last years, I would have completely given up on Christianity.  This is why I try to stay away from governments and religions as they are too inconsistent in their doctrines to be of any value. 

As a former musician, I have observed that music has the frightening power to get people to do things they wouldn't normally do.  It is almost like a drug.  What is interesting is that there is no warning in any of the scriptures about any kind of music.  It's probably like anything else: it's not offensive in and of itself, but it will be the content that will determine whether it is good or bad.  In the case of the Beatles, it was all crap.
http://verydumbgovernment.blogspot.com/2012/02/stop-yoga.html







Comments for "The Beatles -- Illuminati Mind Controllers "

Imani said (September 3, 2012):

The essay by David Richards strikes me as poorly researched, biased against pop music as a threat to Christianity. I have a great deal respect for the Beatles, however, my response here isn't as a diehard fan threatened by new information. I am simply challenging the theories posited by Mr Richards.

To begin, I'd read about the 'Tavistock theory' before in John Coleman's book on THE COMMITTEE OF 300. There are a couple of problems I have with it: First of all, without wanting to get to technical, Adorno's background was apparently in 12 tone/atonal music. Music by the likes of German (Jewish) composers Schoenberg, Webern and Berg fits the bill. The Beatles music is rooted in tonality, which is the language of Western popular song, be it folk, blues, music hall and classical music - and only ever approaches the atonal sound when they got to one or two of their later period psychedelic songs. Anyone who cares to take the time to familiarise themselves with the aforementioned composers will get some idea of what I mean.

Secondly, there's the notion that the band were a Trojan horse for, amongst other things, new words to be added to the vocabulary: Taken from a site dealing with The Aquarian Conspiracy:

New words and new phrases--prepared by Tavistock-- were introduced to America along with the Beatles. Words such as "rock" in relation to music sounds, "teenager," "cool," "discovered" and "pop music" were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles wherever they went, to be "discovered" by "teenagers."

'Rock' was a word that was in common parlance in the black American community, slang for a musical descriptive term, and in other contexts, ‘rock’ meant ‘sex’ ('rock n roll')...and 'cool' also as a terminology was commonly used in the music/hipster community, especially in jazz circles. The point is, Tavistock didn't invent these terms and as I mentioned earlier, I’m doubtful about Adorno being behind the band's work.

I do say that it's highly plausible that the institute directed the 60s youth movement; I only question the actual extent of their involvement. Could it be that the Tavistock theory is just a big red herring?

Finally, the notion that Lennon’s ‘Imagine’ was some clandestine hymn and manifesto to the new world order is ridiculous. By this ‘logic’, then Bob Marley’s songs of united humanity were also doing the work of controlling elites.


Evan said (August 7, 2012):

The Beatles do seem to be the band that never dies. A year or two ago, I remember the PR campaign and television performances that occurred when the powers that be found out that too many young people didn't know who Paul (Faul/William) McCartney was! It was a disgusting display of mind control and propaganda, and it shows that they really can't let the influence of the Beatles naturally go the way of the dodo, there's too much power in it.

Anyways, great article, and anyone who's interested in the darker side of the 60s music scene should check out Dave McGowan's Laurel Canyon articles over at http://www.davesweb.cnchost.com/


Henrik said (August 7, 2012):

Listen to the Hare Krishna mantra on My Sweet Lord, and to Here Comes The Sun which Harrison dedicated to Srila Prabhupada. Most of your articles are good, but not this one! Pls see the Beatles fans, are they demonic? Certainly not. The Beatles changed The Soviet Union and now this world needs the Beatles music more than ever. The Beatles songs remain the same, but some people's ears and taste of music have become dull.

--


Bruce said (August 7, 2012):

I just want to say that any intelligent, inquiring mind, and even a blind man can sense there was something amiss about the Beatles. Not only them but the Rolling Stones as well, and the evolutionary mind set of other 6o's radical rocks groups. Those who have responded on this article such as Brian, Justin, and Nigel are the usual knee jerk reactionaries who offer no sense pf information to the contrary of convincing rebuttals. We're still waiting I suppose on Justin to inform us on how Mr Coleman has been discredited; plus the fact that Justin speaks in circles. It is really comical to watch people wake up out of their sense of reality they have formed in their minds; as the German philosopher Arthur Schopenhauer quoted, the truth is passed through three stages: first it is ridiculed, secondly it is violently opposed, and thirdly and last it is accepted as self evident.


Jennifer said (August 6, 2012):

I have friends in the music industry. One who wrote some of Michael Jackson's songs but he had to sign a contract of silence.
I know other song writers and insiders who say all the recording artists use multiple sources of musical input and help.

And there is another aspect too: Group Dynamics. In Group Dynamics the sum is much greater then the individual parts.
Creativity can reach unimaginable heights in a group. The Beatles, their helpers, and muses obviously had an amazing group dynamic.

You give an artist --like a flower --sun, water --the perfect conditions and they can flourish.
The Group funding that bill also has their agenda.


Monica said (August 6, 2012):

I absolutely loved this article, although it barely scratches the surface of the depth of this psy-op thrust on society and found it amusing reading the comments.

Most comments defending Paul and John were obviously made by people who are not musicians, just sentimental culture-programmed Beatles fan-boys, as anyone who plays a guitar will tell you you can't just "pick up a guitar and play a Beatles song by ear".

The chording is a carefully constructed web which comes close to but doesn't quite compromise conventional musical scales and tonal structures. This construction was absolutely deliberate for it produces in the mind a negatively excited (and depending on the tune itself, even frenzied) state, highly emotionally charged.

This construction is the fruit of many years of secret Illuminati research and well outside the intellectual reach of musical-theory-uneducated "musicians" like Paul and John. You can't write music like that by "chance" or out of ignorance. Without a great deal of technical knowledge the construction would collapse into cacophonous musical chaos, the greatest proof that those two didn't have the capability to create it. It is this perverse structure that gives the music it's power to produce such intense emotional and sentimental attachment in it's listeners.

Couple that with the tuning pitch of 440, imposed on the world by the British Royal Conservatory of Music between the wars, which is also proven to do the same thing but in a more subtle manner and you have a potent musical cocktail for changing morally correct behaviour (especially in public) to emotion-based irrational reactions and interactions ie; sensual license and moral relativism. BTW, ALL music since then, classical, and otherwise, both live and recorded, is contaminated with the 440 tuning pitch universally, the Royal Conservatory saw to that!

I feel sorry for everyone caught in this carefully crafted emotional trap. Too many people too sentimentally attached to a deliberately destructive part of their youth! Wake up people! You've been had - again! Stop believing the scripted Paul & John fairy tales about where "their" music came from! Oh, I should mention I turn 50 next year so I'm not a young Beatles-hater who just doesn't understand.


Monica said (August 6, 2012):

I absolutely loved this article, although it barely scratches the surface of the depth of this psy-op thrust on society and found it amusing reading the comments.

Most comments defending Paul and John were obviously made by people who are not musicians, just sentimental culture-programmed Beatles fan-boys, as anyone who plays a guitar will tell you you can't just "pick up a guitar and play a Beatles song by ear".

The chording is a carefully constructed web which comes close to but doesn't quite compromise conventional musical scales and tonal structures. This construction was absolutely deliberate for it produces in the mind a negatively excited (and depending on the tune itself, even frenzied) state, highly emotionally charged.

This construction is the fruit of many years of secret Illuminati research and well outside the intellectual reach of musical-theory-uneducated "musicians" like Paul and John. You can't write music like that by "chance" or out of ignorance. Without a great deal of technical knowledge the construction would collapse into cacophonous musical chaos, the greatest proof that those two didn't have the capability to create it. It is this perverse structure that gives the music it's power to produce such intense emotional and sentimental attachment in it's listeners.

Couple that with the tuning pitch of 440, imposed on the world by the British Royal Conservatory of Music between the wars, which is also proven to do the same thing but in a more subtle manner and you have a potent musical cocktail for changing morally correct behaviour (especially in public) to emotion-based irrational reactions and interactions ie; sensual license and moral relativism. BTW, ALL music since then, classical, and otherwise, both live and recorded, is contaminated with the 440 tuning pitch universally, the Royal Conservatory saw to that!

I feel sorry for everyone caught in this carefully crafted emotional trap. Too many people too sentimentally attached to a deliberately destructive part of their youth! Wake up people! You've been had - again! Stop believing the scripted Paul & John fairy tales about where "their" music came from! Oh, I should mention I turn 50 next year so I'm not a young Beatles-hater who just doesn't understand.


Stephen Coleman said (August 6, 2012):

I come from a long line of professional musicians and myself was classically trained. My eldest brother got into the rock scene in the early 60's. He is very well aware that you have to sell your soul to get anywhere in music and has refused to do so. He has performed on national TV a few times, but never was able to make enough money except to eat and pay rent in dumps. He has been told if you don't play their game, you won't get anywhere.

Modern rock and worse are by design to dumb down the masses. Classical music has the opposite effects, just look at the great scientists through history, most were also classical musicians.

Heavy metal, rap and other forms of "popular" music also have negative spiritual effects on us. This ugliness attracts demons into our homes and can agitate family members against each other. Ironically even alleged "Christian" rock has the same deleterious effects.

Something is amiss if you prefer ugliness to beauty and somethings is still wrong if you buy into Emanuel Kant's "beauty is in the eye of the beholder" idiocy. Any 4 year old that has not been contaminated can clearly tell adults what is ugly and what is beautiful.

Keat's poem "Ode to a Grecian Urn" is a wonderful argument against the pervasive effects of Kantian philosophies have on our culture today. http://www.bartleby.com/101/625.html


Willem said (August 6, 2012):

There many more levels and layers concerning the question who wrote the Beatle songs. Sure some mentioned George Martin but there is yet another very important person to be mentioned in this context: Theodor Adorno.

The Jew Adorno was a student of the important twenty century composer Arnold Schönbeg (also a Jew). Coleman, whose material lacks documentation and copied most of his stuff from Lyndon Larousse (says so the late Eustace Mullins), is responsible of yet another rumour: Adorno wrote most of the Beatle songs (and his spouse held the rights of those that were sold later to Michael Jackson: wow!). Until now I could not find any prove of this bold Coleman statement, expressed in his book The Committee of 300,

Henry, it is of great interest to look into this Adorno person because he was a mayor figure of the Frankfurter School and author and co author of many books and texts about music, popular music and esthetics. He also collaborated in the important research project concerning the Authoritarian Personality, obviously another Zionist mind control project.

Could Adorno have written most of the Beatle songs (in collaboration with others) I believe so yes because besides being a theorist Adorno was a fine pianist. A famous German Avant Garde composer told me, some several years ago, when you play Yesterday backwards you will hear a Bach Choral (I still have to try that out)!

In conclusion, I believe we should change our concept of art dramatically. Art is basically a rite of idolatry and mind control of the Global Elite and its originality is not of any importance (look e.g. in to the song writing of yet another Zionist, Bob Dylan….. it is all a big fraud). I am eager to hear any statement concerning Adorno writing most Beatles songs.


Nigel said (August 6, 2012):

Anyone can cherry pick information and present a case for a position. The lack of truth and sense in this is enormous and it discredits most or all of your other articles and I wonder if I can be bothered to take anything this site says seriously ever again.

Not impressed.

--

Nigrl,

I guess you haven't noticed that usually people are not always right or always wrong. They are right sometimes and wrong sometimes.

Your reaction is typical of many instances when my site has challenged cherished beliefs. People prefer to be duped. It's become their identity.

henry


Bill said (August 6, 2012):

Rather than their having been pawns, told what to do and how to do it, Lennon and McCartney were genius level creative innovators, showing the rest of the world what could be accomplished with the simplest equipment in the realm of popular music and recording. From 1964 on, their albums (and singles) were years ahead of everything around them in creative recording technology (i.e., "sound"). In partnership with Norman Smith and later, Geoff Emerick, they left everyone around them bewildered and struggling to catch up. Having the luxury of not being charged for studio time, they could, and did, take months to craft songs, with Geoff and Paul (in particular) working far into the wee hours of the morning.

In conjunction with this, the evolving quality of their music and lyrics propelled them into all-time status. In both sound and substance, they've never been equalled. The very fact that there's never been another "Beatles" or even anything close to them should tell you something. Any force or individual who could "manufacture" them could (and would) have manufactured more like them.

Their association with the degeneracy and decline of that era is inarguable. But to imagine that they somehow created it is about on a par with imagining that a surfer is responsible for the existence of the wave he's riding the crest of. Insistence to the contrary is a blatant example of the post hoc ergo propter hoc fallacy.


David Richards said (August 6, 2012):

Reply to Matt--


The big groups have teams of song writers behind them. Former Clash guitarist Vince White said the band didn't write their own songs. The song writing process was led by their manager. http://www.henrymakow.com/rock_music_rebels_are_corporat.html

This doesn't mean The Beatles weren't involved in the creative process at all, they could have been, but they certainly weren't the ones calling the shots.

What happened to the Beatles after they broke up? They still had handlers and songwriters. The lyrics to john Lennon's 'Imagine' are the blueprint for the NWO:

Imagine there's no heaven...
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace


Could this really be a coincidence? Also a lot of Lennon's behaviour looks staged. When he married Yoko Ono, he took her name, making him John Ono Lennon, instead of her taking his. This is typical Illuminati subversion. Yoko Ono herself also has ties to the occult. She released an album titled 'I'm a Witch' & recently came out in support of the Georgia Guidestones! http://en.wikipedia.org/wiki/Georgia_Guidestones


Matt said (August 6, 2012):

'm sorry, but I can only agree with this article in-so-far as the Beatles were not squeeky clean, and certainly had a dark influence and were part of society's downward spiral, but the idea of them not writing their own songs is ridiculous.

It is very well documented by the Beatles and others that they (mainly Lennon-McCartney) wrote their own material, with some help by their producer George Martin, who was classically trained. You can hear their music develop, and the musical directions of the different Beatles split off in different directions. Who wrote all the ex-Beatles music after they split up if it wasn't them? Did the Institute decide not to write so much music for George and Ringo, and of different levels of quality for the different Beatles? The Tavistock Institute surely wasn't standing there the whole time (if at all)?


Joe said (August 5, 2012):

Reply to Al Thompson: The protocols of zion were written to divide and conquer different people following different religions. They simply had to involve Hinduism to deflect the true enemies.Conversion is not allowed in Hinduism and the practice of Yoga has many health benefits. If you want, you can change the chantings to say Jesus. I wanted to know what you have to say about Jesus actually being a Hindu yogi https://en.wikipedia.org/wiki/Lost_years_of_Jesus. There is also a film about this called the Man from Earth http://www.imdb.com/title/tt0756683/


Brian said (August 5, 2012):

OK, yeah, the Beatles and the Illuminati connection are apparent. But the author, all of 24 years old makes it sound as though they were complete mind-controlled automatons who were virtual robots.

In spite of all the negative aspects of this Tavistock creation it's not like their basic humanity didn't come through in some of their songs. Even though "gai guru deva" has its demon-related overtones, "Across the Universe" is not some heavy metal crap whose demonic content is ever-so obvious. It's really quite a sweet song if you simply listen to it and don't put all the emphasis on some Theosophical affiliation.

Both Lennon and Harrison in particular wrote some lovely music whose content shouldn't be simply dismissed out of hand. And Lennon himself came to denounce "The Beatles". Kind of like JFK, with both of them starting to see the light on alot of the Illuminati m.o.


Justin said (August 5, 2012):

David Richards, and the discredited John Coleman, don't know what they are talking about. Richards has one source. And his own, uninformed opinion. That might fly in Elementary School, but it stinks, and sinks like a stone, in the real world.

"Four working class young men could not have written these songs": They didn't; two did, and frequently one.

And the only working class member was Ringo, who wrote very, very little. The other three members were regular Suburbanites. Any cursory research, at all, would have revealed same. They were Intelligent, and Educated.

Early British Invasion bands were only "rock groups acting as social agitators"?

The Stones, The Dave Clark Five, The Animals, Tom Jones, Petula Clark, Cilla Black, Dusty Springfield, The Kinks, Freddy and The Dreamers, The Searchers, Wayne Fontana and The 'Mindbenders', The Honeycombs, Peter and Gordon, Status Quo, Herman's Hermits and Gerry and The Pacemakers were surely ‘Agents Of Destruction’, yes?

We have all the misinformed goofballs on the Internet that we can use at this time. Applications are now closed. Thanks.

Since the mass, general social rejection of "organized" religion had already occurred, The Beatles led a continuing search for the truth, and stumbled frequently, as they candidly admitted, at that time. The Beatles were very Human, and the last horse-to-escape-the-barn before "the hammer came down", in fact. They snuck- through as an oddity, but grew rapidly to try to fulfill the Leadership Role to which WE had elected them. They still stand, Today, as the Ultimate Art Group.

Every few years we are subjected to some self-appointed "Genius", like these "scribes", who wants to advance himself/themselves, by trying to “expose” The Beatles. The Beatles were Real. They stand alone. Amazingly.

--

Justin

How has Coleman been discredited? He revealed the truth.

henry


Matt said (August 5, 2012):

The Beatles may have been the biggest experiment ever thrust-ed upon us, by the Travistock Institute in the means of social deception. Apparently Paul McCartney died in a car accident in 1966, after leaving the studio and picking up a woman (possible agent?) in the rain on his way home. That night the Beatles were told of this news by an MI5 agent and future handler MAXWELL.

From this point on the Illuminati/Travistock Institute owned the Beatles. They held an obscure Paul McCartney look a like contest in England but never aired the winner. The winner went on to undergo plastic surgery and become Faul McCartney.

John Lennon agreed to finish the huge backlog of songs he and Paul had written. He left the band when all the original material ran out, then was shot for threatening to "go public". The Illuminati wants to physically shape reality, and make lies/deception seem real and true.


modus operandi of the illuminati

public figures (& doubles) used as puppets to manipulate the masses;(i.e.- Pope Paul VI -imposter pope and destruction of the catholic church from within)
elimination of opposition to this elite by horizontalization (the likely assassination of James Paul McCartney with impunity);
deception of the public by a cartel of media groups controlled by a governing Luciferian elite (Illuminati);
social control through Psychological Operations (PsyOps);

Paul McCartney Really is Dead- a documentary on the audio tapes made by George Harrison on his death bed.-worth watching

http://vimeo.com/28273681


Robbie said (August 5, 2012):

The Beatles were AntiChrist, according to their own Press officer:


“They're
COMPLETELY ANTI CHRIST. I mean, I am anti Christ as well, but they're so anti-Christ they shock me which isn't an easy thing.”
Source: Derek Taylor – Beatles press officer.
Saturday Evening Post, 8th August 1964.

_______________________________________________________
John Lennon.
I've sold my soul to the DEVIL.
Source: Coleman Ray, Lennon. Page 256.
_______________________________________________________

John Lennon.

John Lennon said, “Jesus, a garlic-eating, stinking little yellow, greasy fascist bastard catholic spaniard”

Source: John Lennon, A Spaniard in the Works. Page 14.

__________________________________________________________

John Lennon.

It’s like being possessed: like a psychic or a medium.
Source: The Playboy Interviews, Page 203.
________________________________________________________

John Lennon.
When the real music comes to me it has nothing to do with me, `cause I`m just a channel.
It`s given to me and I transcribe it like a channel.

Source: Video - Hell`s Bells 2.
_____________________________________________________________
John Lennon.
But my joy is when you’re like possessed, like a medium, you know.
I’ll be sitting around and it will come in the middle of night or at a time when you don`t want to do it, that`s the exciting part, I don`t know who the (Expletive) wrote it, I’m just sitting here and the whole (Expletive) song comes out.
So it, you`re like driven and you find yourself over on a piano or a guitar, because it`s been given to you or whatever it is you tune into.
Source: John Lennon, Yoko Ono and Andy Peebles, The Last Lennon Tape, 1981, page 113.
________________________________________________________

Paul McCartney.

The music to “Yesterday” came in a dream. The tune just came complete.
You have to believe in magick. I can’t read or write music.

Source: Interview on Larry King Live, CNN, 12th June 2001.

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Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at