"Bodies": The Illuminati Culture of Death

October 22, 2010

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by Rollin Stearns
(for henrymakow.com)

 

In recent years "BODIES... The Exhibition" has been touring all across North America, from Winnipeg to Tampa, from Albuquerque to Quebec City.
 
From its title you might think it's a waxworks display like Madame Tussaud's -- or maybe soft-core porn parading as art.
 
But this exhibit -- which pretends to be cultural and educational -- is more than nudity, more than anatomical display. Much more.
 
It's a display of naked human cadavers -- real cadavers -- many of them dissected, and preserved by using transparent liquid silicone rubber.
 
You can see a cadaver playing basketball, you can see one conducting an orchestra. You also get to see various body systems (digestive, urinary, reproductive, etc.). You see body parts, and organs, and fetuses (unborn babies), all real, all dead.

If this exhibit were installed in a medical school, for the education of medical students, there would be no problem. But it's aggressively marketed to the public, including elementary school children taken on a "field trip." Instead of looking at Monet and Matisse, they're exposed to real corpses.
 
Naturally (according to Premier Exhibitors, Inc., the promoters) this is "an educational experience" that you can "celebrate," that will "enlighten, inform, inspire."
 
In truth it's more like a "snuff film," both pornographic and ghoulish.
 
 
WHOSE BODIES?
 
Since these are real human bodies, the question arises: who are they, who were they? Where do they come from?
 
Answer: the cadavers were "donated" by China. Does this mean the men and women whose bodies are on display donated them for this purpose, much as many of us donate our organs for medical purposes upon death? I'm afraid not.
 
The exhibitor discreetly informs us that "the bodies were not formally donated by people who agreed to be displayed."
 
Formally? Are we to infer from this that it was all agreed to on a handshake?
 
No, the Chinese government claims these are people who died having no close kin to claim the body. Unfortunately there's no documentation to support this.
 
As a result, it's widely believed by human rights activists (such as Harry Wu, who spent 19 years in a Chinese labor camp) that these are the bodies of Chinese prisoners, prisoners who may have been tortured and executed by the government.
 
The Chinese treatment of prisoners is notorious. For example, there have long been serious charges of persecution of a Chinese religious movement, the Falun Gong, involving organ harvesting from live members. (See the report by former Canadian parliamentarian David Kilgour and human rights lawyer David Matas.)
 
This is why Premier Exhibitors, Inc., offers a disclaimer: "Premier relies solely on the representations of its Chinese partners and cannot independently verify that they (the bodies) do not belong to prisoners executed while incarcerated in Chinese prisons."
 
This legal disclaimer is well advised. China, after all, is not only notorious for its cruelty to animals. It's the land of the "one-child" policy and forced abortion, of brutal political and religious persecution and ethnic cleansing (ask the Tibetans and the Uighurs). It harvests organs on a massive scale for commercial purposes.
 
 
WHO IS REALLY BEHIND THIS?
 
To understand who's behind this, we've got to look deeper than Premier Exhibitors, Inc., deeper than China. The exhibitors are "businessmen" making a buck. And China is not yet in a position to directly attack American culture.
 
This exhibit is just one example of a much larger cultural attack that is carried out, not by China but by powerful forces that control our media, as well as our politics and finance.

Notice the Soviet Red Star of the Illuminati in the logo of Premier Exhibitions. 
 
This exhibit is not unique. We see the same thing in current films and TV shows, which in the past couple years have begun, unannounced, to routinely exhibit human corpses in grotesque and graphic ways.
 
For example, the characters in shows such as NCIS casually pick up and handle body parts from a cadaver being dissected in a lab, while the camera dwells on the grisly voyeuristic details.
 
These programs, and the traveling exhibit of human corpses, force us to focus on things that would naturally shock and repel us, in order to desensitize us. We are being conditioned to regard the human body as something that has no spiritual significance.
 
To display human corpses publicly is indecent. One of the fundamental things that makes us human rather than animals is that we bury our dead. To stare at dissected corpses draws us into the world of Jeffrey Dahmer, who preserved his victims' body parts in his refrigerator. We become complicit in a satanic ritual.
 
A ritual that tells us more strongly than words can that man is just an animal and that death is the ultimate reality. That when we look at the corpses on display, we're looking at ourselves.
 
Our hidden masters, the Illuminati, control us politically and financially. They dismantled American manufacturing and off-shored our jobs to China. They destroyed our economy well ahead of the financial crisis of '08.
 
But to control us for the long run, they have to destroy our souls. They have to strip us of our sense of the sacred, of our faith. They have to degrade us.
 
This is the reason for the exhibit of the cadavers, and so much else. And this is the reason why our first line of defense must be to preserve and strengthen our spiritual lives. Only then will we have the strength to do what else will need to be done.

---
Rollin Stearns is a former book editor who lives in Maine.

---

Related- Technique/Exhibit  Developed by Gunther Von Hagens


 

Comments for ""Bodies": The Illuminati Culture of Death"

Rod said (October 24, 2010):

Readers might like to be reminded, the exhibition "Bodies" also makes a brief appearance in the fairly recent James Bond movie, Casino Royale.

You will find the relevant scenes after 007 pursues his quarry to Florida, just in time to thwart the destruction of the new airliner prototype.

Clearly some external interest was keen to see "Bodies" promoted by a sure-fire cinema hit.


Richard said (October 24, 2010):

The reaction of reader Sonia below is how people reacted here in 2006 when it was here for 3 months in the Museum of Natural History. It made millions of dollars at 50 bucks a pop.

Sonia said (October 24, 2010):
""Henry, I am stunned by the reactions of the author and your commentators. The exhibit can be viewed on a multi-level, I suppose, but as an artist, I saw this exhibit and was awe-struck. The beauty of the human body, the complex interactions within all of us, the tapestry of capillaries exhibit was extremely fascinating,""

I've been appalled and perplexed that so many people are completely blind to the fact these were human beings with names who very likely died in Chinese concentration camps. The sick Illuminati 'humor' is blatant with this thing. Just look at the ghoul that created this "Auschwitz meets the IceCapades"

Gunter Liebchen (von Hagen's real name) was born in west Poland in Jan 1945 where his father was stationed with the Waffen Schutzstaffel. Gunter was raised East German and received a Soviet medical education.

This just in "Just days before Halloween, Germany’s most notorious pathologist has launched an online store, at plastination-products.com, selling his perfectly preserved human specimens to the public.

For €70,000 you can have your own “plastinated” human specimen in which all fluids have been forced out of the body and replaced with plastic polymers that retain the tissues’ original structure, shape and colour.

Dr Death offers his fans a slice of the action
http://www.irishtimes.com/newspaper/weekend/2010/1023/1224281785561.html


Nena said (October 24, 2010):

Whenever I see an article on Henry Makow's site I smile and say oh dear here we go again. I know that I will be entertained, annoyed and compelled to write a letter of discontent to its owner. I wonder why someone has developed such paranoia that they cannot look at the world around them in a creative way with a sense of wonder. But that they see fear, control and darkness. This article is a fine example of just that kind of mind bending nonesense that prevails.

As humans we occupy a space called a body. As much as we live in this limited space with unlimited capabilities we dont altogether understand or appreciate its form or functions and the role that it plays in making us who we are. As our lives play out and we approach our later years and I know something about that because today is my birthday we look at this creation a little more closely and realize that this close bond and friendship will not last forever. We miss the things that we used to do together a little more briskly and have fond memories of when it was pristine and new fresh out of the box of life.

Bodies allows us to step outside ourselves and look in. We dont have to stare at someone who will become uncomfortable with our intrusive gaze. It is a celebration of the human form and all the bits and pieces that come together to make it work. You can see it in layers, cutaways,slices and much more. Where else can you see the beauty that lays beneath the protective layer of the skin? Or the human form reduced to its major arteries bypassing each other like a massive road system. Surely you will never look in the mirror quite the same way. It also addresses death in a different way, these after all are outer shells once occupied but no longer. Where is the occupant? We ask ourselves, ponder and realize what a wonder we really are.

So stop the negativity......look on the positive side........try it you might like it :)


Sonia said (October 24, 2010):

Henry, I am stunned by the reactions of the author and your commentators. The exhibit can be viewed on a multi-level, I suppose, but as an artist, I saw this exhibit and was awe-struck. The beauty of the human body, the complex interactions within all of us, the tapestry of capillaries exhibit was extremely fascinating, what it takes to think, the electrochemical makeup of our physical selves, what a smoker's lungs look like, a cancerous liver, and much more, and what limited awareness we all have of our most precious possession and how we abuse it. What a Creator we have to thank for this miracle of engineering we call a body!!!


Ed said (October 23, 2010):

he exhibition described in this article is as grotesque as anything I have ever heard of. This is shock and horror tripled: first, the ghastly callousness of the Chinese authorities in providing the corpses for the exhibition (whether or not they are the earthly remains of political prisoners); second, the conscienceless desire for profit on the part of the promoters and organizers of the display; and third, but no less guilty, the sick voyeurs who would pay money to see a display like this. In any case, the anatomy transparencies found in good encyclopedias are in my opinion more informative.

The only comfort to be found in this vile exhibition is to reflect that the body is only the vehicle for the soul, and that the souls of those unfortunates may be in a better place.


San the Man said (October 23, 2010):

If memory serves, I recall first seeing an advertisement for this exhibit back in the late 1980’s in San Francisco. It did state that they were actual cadavers and I found that to be very morbid and rather sickening and wondered at the time who these folks might be and thinking this is why you should not donate your body to science. Surprisingly it has followed me on subsequent vacations to Mexico and Las Vegas and I was surprised that it warranted enough interest to have such staying power.

From time to time I hear the term “Chimerica” used on business programs to describe the relationship between the U.S. and China. What is to be said about a nation and government that is difficult if not impossible to understand by culture, religion, methodology, structure and language yet wishes to be the world’s producer of indispensable goods and foremost financiers and lenders? Just about everybody has dived head first into the Chinese opportunity really without knowing what the hell it’s all about and it still continues to be aggressively marketed.

Some time ago I remember reading about a CSIS agent who was disciplined and fired for going public about warning about China’s aggressive efforts to infiltrate Canada’s government by getting top officials on the payroll. I also remember Bill Clinton going to China and coming back a changed man. All that power is intoxicating. Scary to think that a system exists whereby mundane charges by western standards can be brought against ordinary people by ordinary people and the equivalent of a municipal court judge can sentence one to death by mobile lethal injection unit which makes regular visits to rural villages on a timely schedule.

There is an outspoken restaurant and bar owner in Pennsylvania who takes advantage of his outdoor marquee to express his political views and he often offers sage observations. One particular message read, “It Used To Be Made In America With Pride, Now It’s Made In China With Poison.”


Tim said (October 23, 2010):

I wouldn't be interested in such an 'exhibit' even if it came near where I live, but I bet it packs 'em in. The 'bodies' could just as well be those of people tortured and executed by the United States government as well. After all, ghouls in US uniforms are now murdering civilians in Afghanistan, then taking their ears and fingers for 'trophies.'


LG said (October 23, 2010):

I have read your article about "bodies". You are perfectly right.
Have you seen that Lady Gaga, dressend in meat ?
Have a watch upon this french star : Mylene Farmer (translator on the right of the blog) as you said, for these satanist : Body, power, sex, death, satanism but NO psiritualité.
Most of them are jews. They just hate Us, christians,

http://legaysavoir.blogspot.com/2010/10/roux-infernal.html


Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at