"Bodies": The Illuminati Culture of Death
October 22, 2010
by Rollin Stearns
(for henrymakow.com)
(for henrymakow.com)
In recent years "BODIES... The Exhibition" has been touring all across North America, from Winnipeg to Tampa, from Albuquerque to Quebec City.
From its title you might think it's a waxworks display like Madame Tussaud's -- or maybe soft-core porn parading as art.
But this exhibit -- which pretends to be cultural and educational
-- is more than nudity, more than anatomical display. Much more.
It's a display of naked human cadavers -- real cadavers -- many of
them dissected, and preserved by using transparent liquid silicone
rubber.
You can see a cadaver playing basketball, you can see one
conducting an orchestra. You also get to see various body systems
(digestive, urinary, reproductive, etc.). You see body parts, and
organs, and fetuses (unborn babies), all real, all dead.
If this exhibit were installed in a medical
school, for the education of medical students, there would be no
problem. But it's aggressively marketed to the public, including
elementary school children taken on a "field trip." Instead of looking
at Monet and Matisse, they're exposed to real corpses.
Naturally (according to Premier Exhibitors,
Inc., the promoters) this is "an educational experience" that you can
"celebrate," that will "enlighten, inform, inspire."
In truth it's more like a "snuff film," both pornographic and ghoulish.
WHOSE BODIES?
Since these are real human bodies, the question arises: who are they, who were they? Where do they come from?
Answer: the cadavers were "donated" by China.
Does this mean the men and women whose bodies are on display donated
them for this purpose, much as many of us donate our organs for medical
purposes upon death? I'm afraid not.
The exhibitor discreetly informs us that "the bodies were not formally donated by people who agreed to be displayed."
Formally? Are we to infer from this that it was all agreed to on a handshake?
No, the Chinese government claims these are
people who died having no close kin to claim the body. Unfortunately
there's no documentation to support this.
As a result, it's widely believed by human
rights activists (such as Harry Wu, who spent 19 years in a Chinese
labor camp) that these are the bodies of Chinese prisoners, prisoners
who may have been tortured and executed by the government.
The Chinese treatment of prisoners is
notorious. For example, there have long been serious charges of
persecution of a Chinese religious movement, the Falun Gong, involving
organ harvesting from live members. (See the report by former Canadian
parliamentarian David Kilgour and human rights lawyer David Matas.)
This is why Premier Exhibitors, Inc., offers a
disclaimer: "Premier relies solely on the representations of its
Chinese partners and cannot independently verify that they (the bodies)
do not belong to prisoners executed while incarcerated in Chinese
prisons."
This legal disclaimer is well advised. China,
after all, is not only notorious for its cruelty to animals. It's the
land of the "one-child" policy and forced abortion, of brutal political
and religious persecution and ethnic cleansing (ask the Tibetans and the Uighurs). It harvests organs on a massive scale for commercial
purposes.
WHO IS REALLY BEHIND THIS?
To understand who's behind this, we've got to
look deeper than Premier Exhibitors, Inc., deeper than China. The
exhibitors are "businessmen" making a buck. And China is not yet in a
position to directly attack American culture.
This exhibit is just one example of a much
larger cultural attack that is carried out, not by China but by powerful
forces that control our media, as well as our politics and finance.
Notice the Soviet Red Star of the Illuminati in the logo of Premier Exhibitions.
Notice the Soviet Red Star of the Illuminati in the logo of Premier Exhibitions.
This exhibit is not unique. We see the same
thing in current films and TV shows, which in the past couple years have
begun, unannounced, to routinely exhibit human corpses in grotesque and
graphic ways.
For example, the characters in shows such as
NCIS casually pick up and handle body parts from a cadaver being
dissected in a lab, while the camera dwells on the grisly voyeuristic details.
These programs, and the traveling exhibit of
human corpses, force us to focus on things that would naturally shock
and repel us, in order to desensitize us. We are being conditioned to
regard the human body as something that has no spiritual significance.
To display human corpses publicly is indecent.
One of the fundamental things that makes us human rather than animals
is that we bury our dead. To stare at dissected corpses draws us into
the world of Jeffrey Dahmer, who preserved his victims' body parts in
his refrigerator. We become complicit in a satanic ritual.
A ritual that tells us more strongly than
words can that man is just an animal and that death is the ultimate
reality. That when we look at the corpses on display, we're looking at
ourselves.
Our hidden masters, the Illuminati, control us
politically and financially. They dismantled American manufacturing and
off-shored our jobs to China. They destroyed our economy well ahead of
the financial crisis of '08.
But to control us for the long run, they have
to destroy our souls. They have to strip us of our sense of the sacred,
of our faith. They have to degrade us.
This is the reason for the exhibit of the
cadavers, and so much else. And this is the reason why our first line of
defense must be to preserve and strengthen our spiritual lives. Only
then will we have the strength to do what else will need to be done.
---
Rollin Stearns is a former book editor who lives in Maine.
---
Related- Technique/Exhibit Developed by Gunther Von Hagens
---
Rollin Stearns is a former book editor who lives in Maine.
---
Related- Technique/Exhibit Developed by Gunther Von Hagens
Rod said (October 24, 2010):
Readers might like to be reminded, the exhibition "Bodies" also makes a brief appearance in the fairly recent James Bond movie, Casino Royale.
You will find the relevant scenes after 007 pursues his quarry to Florida, just in time to thwart the destruction of the new airliner prototype.
Clearly some external interest was keen to see "Bodies" promoted by a sure-fire cinema hit.