Insider: CIA Designed Rap Music to Boost Black Criminality
February 21, 2019
This shocking information has been online since 2012.
Music is used as brainwashing. In this case, hip-hop
was hijacked by the CIA to increase black drug use, misogyny and
criminality. The music executives were told it was to boost the
private prison industry, but obviously, it had a larger design --
to sabotage the black population and in so doing, US society as
a whole.
The Secret Meeting that Changed Rap Music
by Anonymous
(abridged by henrymakow.com)
After more than 20 years, I've finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning point in popular music and ultimately American society. ...
Between the late 80's and early '90s, I was what you may call a "decision maker" with one of the more established companies in the music industry. I came from Europe in the early 80's and quickly established myself in the business. The industry was different back then. Since technology and media weren't accessible to people like they are today, the industry had more control over the public and had the means to influence them anyway it wanted. This may explain why in early 1991, I was invited to attend a closed-door meeting with a small group of music business insiders to discuss rap music's new direction. Little did I know that we would be asked to participate in one of the most unethical and destructive business practice I've ever seen.
The meeting was held at a private residence on the outskirts of Los Angeles. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle.
Based on their behavior and formal appearances, they didn't seem to be in our industry. Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the reason for such secrecy but couldn't find anyone who had answers for us. A few people refused to sign and walked out. No one stopped them. I was tempted to follow but curiosity got the best of me. A man who was part of the "unfamiliar" group collected the agreements from us.
Quickly after the meeting began, one of my industry colleagues (who shall remain nameless like everyone else) thanked us for attending. He then gave the floor to a man who only introduced himself by first name and gave no further details about his personal background. I think he was the owner of the residence but it was never confirmed. He briefly praised all of us for the success we had achieved in our industry and congratulated us for being selected as part of this small group of "decision makers".
At this point, I begin to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments. I remember many of us in the group immediately looking at each other in confusion. At the time, I didn't know what a private prison was but I wasn't the only one.
Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told that these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons. It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we'd be able to buy shares. Most of us were taken back by this. Again, a couple of people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered our questions.
He told us that since our employers had become silent investors in this prison business, it was now in their interest to make sure that these prisons remained filled. Our job would be to help make this happen by marketing music which promotes criminal behavior, rap being the music of choice. He assured us that this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies, and as an employee, we'd also be able to buy personal stocks in these prisons.
Immediately, silence came over the room. You could have heard a pin drop. I remember looking around to make sure I wasn't dreaming and saw half of the people with dropped jaws. My daze was interrupted when someone shouted, "Is this a f****** joke?" At this point things became chaotic. Two of the men who were part of the "unfamiliar" group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene. One of them pulled out a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside.
My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed an agreement and would suffer the consequences of speaking about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt and he replied that it was bigger than the music business and nothing we'd want to challenge without risking consequences. We all protested and as he walked back into the house I remember word for word the last thing he said, "It's out of my hands now. Remember you signed an agreement." He then closed the door behind him. The men rushed us to our cars and actually watched until we drove off...
As the months passed, rap music had definitely changed direction. I was never a fan of it but even I could tell the difference. Rap acts that talked about politics or harmless fun were quickly fading away as gangster rap started dominating the airwaves... Violence and drug use became a central theme in most rap music. I spoke to a few of my peers in the industry to get their opinions on the new trend but was told repeatedly that it was all about supply and demand. Sadly many of them even expressed that the music reinforced their prejudice of minorities.
I officially quit the music business in 1993 but my heart had already left months before. ...Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration.
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Thanks to S for the tip!
Related - Rap Music's Blatant Satanism
You can find this article permanently at https://www.henrymakow.com/2019/02/insider-rap-music-designed-to.html
Henry Makow received his Ph.D. in English Literature from the University of Toronto in 1982. He welcomes your comments at
If you look at the lyrics for popular rap groups like "Three 6 Mafia" left, or "Tech N9ne", the lyrics are openly Satanic.
TECH N9NE
In Juicy J's music video for "Geeked Up Off Them Bars" he plays video games with some hot girls, smokes weed, drinks codeine syrup, waves bottles of prescription Xanax and Hydrocodone in front of the camera and raps about crushing the pills and snorting them.
John C said (February 20, 2019):
All about normalizing the elite’s agenda through rap videos or other types of memes heavy metal comes to mind in the 80, and 90s disguised as music with satanic symbolism to include the satanic Black Mass. The only difference now is the rappers have risen to the top or depending on one’s view it could be the bottom. They even summon the devil or conduct mock sacrifices for entertainment. The only thing left is real crucifixions or real sacrifices conducted on stage or seen as part of the video in 20 to 30 years from now the masses may accept the real thing. Gorgoroth Possessed by Satan Black Mass-Kraków 2004
https://www.youtube.com/watch?v=boeKxWNA7I4